Hello all
The first trickles of 2008 shows are now up and alive on the
Events page – look out for Spring Heel Jack w/ Eddie Prevost, Colleen, Jack Rose and much more besides...
2007 blast off...thanks to all that lived through it. Here are our 7x7's - Qu Junktions and friends pick their 7 musical moments of '07...
MATT VALENTINE1.
The Cherry Blossoms - s/t
(Apostasy + Black Velvet Fuckere, Breaking World Records, Consaguineous Records, Hank the Herald Angel Recordings, and Yeay! Cassettes). Paralyzing debut LP that rips in the sweet zone of post-Fieldhands appalachian squonk love, released by a variable plethora of our green earth's finest, Union Pole, well, look the fuck out!
2.
Visitations - s/t (Time - Lag). Some of the finest murmur further channeled by Roky and landing somewhere in the spooked avatar of Idaho Transfer via the non callous north country roll up. These folks are natives of Maine, nowhere near Calais.
3.
Woods - 'At Rear House' (Woodsist). A jaw droppingly important work in the episode of "free folk" during the post Joyce wars, prime duo exchange with melodies you can dig for multimoons and a fidelity that can only exist in the love range of a deep psychedelic global underground.
4.
Starbird - 'Nanook of the North' (Sloow Tapes). A zap that is more Herzog to my ears than Flaherty, tho' there are hints of Paul F's freedom breath, this is a glorious 65 minute slow burner on THE prime oxide format...subterranean Guilford igloo tone of the highest order.
5.
Jakob & Sus - 'The Last Vocalions' (Soleil). More tonal cinema that brings up 'The Swimmer' and the other Frank Perry's 'New Atlantis' revolving. The cover image of a black and white lost ESP jammer only hints at the majesty within this mega genesis of howling forest moderne of the brightest nocturne.
6.
Silvercords - 'Divergence Eve' (Time-Lag). Pharaoh dust sounds as if a mummified Furekaaben shed ghost ragas in the dream house space bug, love cries with the top down as the earth folk peeled out to begin a perfect drone world underneath a blanket of warm hum, the aural equivalent of 'Omega Man' or the NRA without Charlton Heston.
7. Starving Weirdos - 'Shrine of the Post-Hypnotic' (Root Strata). Dune rock drone of the grooviest sand pipe, full throttle demolition mash of righteous inner ear fog surf. Easily one of their finest tides and a massive fuckin' spirit wave.
***
1. Grinderman at ATP
2.
Tom Bugs' set at Goldmund
3. Konono no.1 at the Fiddlers
4. Venn
5. QuWack (E)
6. Haxan at the Pro Cathedral
7. Freeze Puppy acoustic gig at the Kino
***
LAURIE APPLEBLIM
1. Todd Terje, Chateau Flight & Joakim at Siestes Electronique, Toulouses
What an amazing festival, run by lovely people, all for free, during the day in one of the prettiest green parks I have ever been to...Chateau Flight were a delight, two Frenchmen in front of laptops (one of whom made the first French drum & bass tune fact fans!) producing the warmest, analogue sounding space disco/house/techno/cosmic noise ever...hearing them jam out the bassline from their hit 'Baroque' (go buy that record!) and twist it into ever more beautiful shapes with delays, reverbs and what-not was seriously mind altering....Todd Terje repped the burgeoning Norwegian disco scene, dropping Lindstrom, prog disco, & Ian Dury's 'Spasticus Autisticus' featuring surely the best phlanged synth breakdown ever, causing me to get up and shake it like a madman which in turn inspired 150 or so others previously lounging in the sun to do the same! Finally Joakim came and played with a bassist, a drummer and his collection of moogs and laptops...somewhere between Neu, Joy Division, Amon Dull and Hawkwind! My kinda band!
2. Playing Peverelist’s 'Infinity is Now' on Mungo's Hi Fi soundsystem, at 5am, in the rain, in a forest somewhere Dumfries, at Dubcamp outdoor weekender
Kinda self explanatory really! Peverelist’s tunes have been an inspiration all year, and its been a pleasure to be amongst the first to introduce them to crowds…'Infinity is Now
' is a true classic with the warmest bassline of the year - when the hypnotic arpeggiating synth line gives way to the sub bass u can’t help but skank... so there I was, 5am, getting rained on in the middle of a forest in Scotland, but all ok because it was through the best rig I've ever played on. Hand built by Mungo’s Hi Fi, a collective of reggae enthusiasts who have been running roots and dancehall nights in Glasgow for years… Man, these guys have the specials! I’m talking Horace Andy shouting out Mungo’s…go on! They take such pride in their system, and you can hear it…they're a lovely bunch, mad props to them…watch out for their 140bpm dubsteppy stuff too…gonna be big! I played B2B with Geiom that morning, and it was the start of a real cool friendship with him, his lovely lady Juliet and the Futureproof crew from Nottingham (out to Tom and Rachel!), who are really positive creative people that have inspired me a lot this year, so it was a special night for that reason too….big shout to Gordan from Dubcamp too, everyone agreed it was a special weekend despite the rain…next year is gonna be massive!
3. Konono no.1 & Bass Clef at Fiddlers Bristol
What a night! Shackleton and his missus came down for this and we had a whale of a time....what a band....it's like time stood still for their set...mesmerising overtones and harmonies creating crazy sonic colours...and what a groove! My old Stamford Hill chum Bass Clef merked a happy crowd with his energetic live show, which if u haven't seen u HAVE to check out…I got to DJ too, which was fun, playing different stuff to a different crowd was great. Seeing members of Konono skanking out to Shackletons
Tin Foil Sky made Shacks year I think! Massive thanks to Qu Junktions for bringing this fascinating band over…
4. Mala from Digital Mystikz
Mala is just on some next level s**t….constantly pushing the boundaries of his sound…, constantly surprising with rhythmic inventiveness…'Bury Da Bwoy', 'Hunter', 'Lean Forward', ‘Learn’, all released this year on his own DMZ label show such a variety of ideas its bewildering…simple, pure, and effective…and that’s not to mention unreleased dubplate killers like ‘Miracles’ (“soundsystem has worked……miracles” - damn right they have), ‘City Cycle’…the list goes on…shiver down the spine business…2008 is surely going to contain some amazing things from this chap, and I (and thousands of DMZ faithful) cannot wait to experience them…
At the same Dubcamp event I mention below I had the pleasure of being stood in front of the Mungos Hi Fi wall of speakers as Simon Subdub dropped Mala’s ‘Maintain Through Madness’..the most haunting, evocative and deep tune this year for me…being surrounded by the bass and the strange echoing feedback was truly intense - deep deep inside the sound everything melts away and the pure expression of Mala’s beats take you far away…magical…
5. Playing at DMZ in May, Brixton, London
Ok so I cacked my pants and didn’t play an awesome set, but this was still one of my highlights of the year….I nearly fell over when Mala rang and asked me “what are u doin on 5th of May bruv”!....to say that I am obsessed with the DMZ sound is an understatement…I’ve had more musical epiphanies at their dances than pretty much anywhere else, only FWD>> & Metalheadz back in 96/97 comes close for that vibe of pure physical, sonic invention for me… The DMZ dances are crazy, if u haven't been, go. The energy is insane. The way it builds and feeds back between the djs and the ravers is pure magic..the purity of seeing a dj and crowds reaction to a new dub is really special. When Coki of Digital Mystikz first dropped his classic ‘Haunted’ to the faithful back in the day, at the old 3rd Base venue at 5am the reaction was insane! People jumping up and down, waving hands, moshing, group hugs, & Pokes on the mic INSISTING it gets taken back for the 4th time…! Now, I’m against too many reloads, but I love it when everyone KNOWS a tune has to come back!
6. Shackleton at Metadub, plastic people, London
Shack’s new approach to playing live, armed with a laptop, a midi controller, Ableton and his stupidly deep tunes has been a revelation… hearing him play his new slower material on the legendary Plastic People soundsystem was a joy…the crowd swaying in meditation, some eyes closed, some skanking, in the dark basement, surrounded by those speakers in all 4 corners…watch out for some amazing Shackleton music coming very soon..and some incredible remixes too…
7. Discovering Yabby You
Ok so I stay at Shack's house a lot as I'm always in London for work, and in the mornings its breakfast, Shack style (out to the Polish sausage - your time!), whilst listening to the tape player in the kitchen…coincidentally I had just picked up the Jesus Dread compilation of Yabby Yous work in a charity shop in Bristol (touch!) and one morning Shack popped on one of his fave old tapes, ‘Yabby You Meets King Tubby’…I was floored…every tune is a winner, sing along after the second time u hear it style, proper spiritual vibes. Yabby had grown up through the most ridiculous hard times, being seriously ill when a kid and working in a cave next to a sewer outlet…he had visions and heard God’s voice, and felt it was his duty to sing the praises of Christ rather than Haile Selassie in his music, unlike most Rastas …not being a religious person myself this is the closest I get to singing hymns…in a similar way to Wookie’s ‘Battle’, or Brasstooth’s ‘Celebrate life’ these are the kind of spiritual songs I can sing along to and really feel uplifted by…
***
MARK SLATER 1. I've only ever seen two acts make audience members faint. Justice Yeldham was one, supporting Melt Banana in 2005, and Om was the other at Portishead's ATP. The sheer physicality of their sound and their endless transcendental groove proved too much for me come their final chord, when the cumulative power of their performance left me on the floor - and another audience member standing a couple of rows back!
2. Unger Balazs, the cimbalom maestro extraordinaire from Budapest who joined A Hawk and A Hacksaw's ranks this year. A force of nature on stage, a virtuoso of the instrument able to tease out melodic, rhythmic and harmonic elements simultaneously - but also a tremendously giving musician. Hungarian violinist/trumpeter Ferencs Kovacs's performances with AHAAH and an impromptu collab with Tom Bugs at Venn also stick in my mind. A pleasure to work with such amazing musicians.
3. Discovering
Omar Souleyman, the Syrian pop star who put out a release on Sublime Frequencies this year. I Djed "Leh Jani" at the Cube party twice in a row and a packed Cube dancefloor went wild. To see him live...
4. Animal Collective's sickly sweet lightshow jam at Trinity in October was the most perfectly conceived performance I saw all year. Strangely new record 'Strawberry Jam' seems to have been overlooked by many but for me it's the best expression yet of their unique sound. Other Brooklyn-affiliated jewels this year Panda Bear's 'Person Pitch' and Dirty Projectors' Rise Above' keep me coming back for more
5. 4th world euphoria courtesy of
Zun Zun Egui at Shambala, Vialka at The County Sports Club, The Ex & Getatchew Mekuria in The Hague, A Hawk and A Hacksaw at Bush Hall, Konono No.1 at Fiddlers,
Sunburned at The Croft, and Akron/Family at The Croft. Great performances from new acts like
Dagger Brothers,
Fuck Buttons and
Anni Rossi promise much for 2008.
6. Murcof's performance of 'Cosmos' at Greenwich Planetarium - featuring an unlikely and inspired collaboration with the Royal Astronomer. Worth every penny.
7. A Bristolian triple bill of Team Brick, Tom Bugs and Men Diamler on a beach near Berlin at Goldmund Festival. The festival is an inspiration and Bugs gave Berlin's minimal heads something to think about with a freeform, unquantised techno/dubstep masterclass on his homebuilt modular synth.
***
CASPER CLAUSEN 1.
Dirty Projectors, Concert at Loppen, Copenhagen
2.
Efterklang UK Tour 2007
3.
Kevin Drew -
Spirit if... Album
4.
Roskilde Festival 07 w. Tenniscoats, Grizzly Bear, Slaraffenland, Nikaido Kazumi, Kama Aina, Taxi Taxi! and many more + lots of mud!
5.
Deerhunter, Concert at Loppen, Copenhagen - this video clip is not from Copenhagen though!
6.
Peter Broderick at Elektroni[K] Festival in Rennes, France -
7.
Jamming late night in a little house far away from civilization
***
HEATHER TROST1. Doing a
Take Away Show in Paris as the sun was setting over a lively playground.
2. Playing at Venn to an amazingly vibrant crowd, especially the chilling sing along improvisation by Kush that made the hairs on my neck stand up.
3. Playing on the corner of Helena Mamalka stree and Jaffa street in Jerusalem as people stopped to play drums, dance, and sing. Then walking up the hill to an impromptu birthday party in which some amazing improvised traditional Jewish dancing took place, much to the dismay of the owner in the club we were standing outside, in which a rock band was playing.
4. Barging past security with a cymabalom at ATP and doing another take away show in a tiny Elvis themed casino at Butlins holiday camp, whilst apparently Balazs was blocking the fire exit.
5. Listening to a Kurdish Zurna player
Tzadik Zaharia with a traditional Kurdish drum in tel aviv
6. Meeting George, a Romanian accordion player on the streets of Dublin. He was playing jingle bells, and when Jeremy asked him if he new a Romanian hora, he gave us the biggest smile ever, and played us 3 Romanian songs. We met two more Romanian accordionists on the streets of Dublin, and Cork after meeting George.
7. Playing at the
Romanian Restaurant in London in December.
***
KUSHAL GAYA 1.
Boredoms in Cardiff, Yamatsuka Eye playing 8 guitars hung like gongs and hitting the shit out of them while a very focused roadie was trying to keep them in tune and keep them on their stands. the roadies fingers were literally bleeding....
2. A friend passing out, on OM's last stroke of thunder! At Portishead's ATP
3. Finally seeing Konono no 1 and making eye contact with the sweet lady dancer.
4. The highlife band Harare at shambala festival featuring a member of the bhundu boys!
5. Tony Allen at Venn 2006 is still a memory that haunted me this year.
6. Discovering the might of Han Bennink and rediscovering Peter Brotzmann through youtube while i was having the shits in India.
7. Being obsessed by Roland Kirk's album 'Rip, Rig and Panic' after listening to it with my bandmates Luke and Yoshino in a hotbox.
***
FRANCIS HARVEY1. Lily Allen - 'Ldn' (BBC TV coverage of Princess Diana memorial concert, July).
A counter-intuitive choice. By rights, this should logically be among my LEAST favourite moments: I dislike literalism (performing a song about a sunny day in London on a sunny day in London), I'm no royalist, I can't stand sunshine, I find the lyric crass and gratingly cheery, Lily Allen is over-exposed and dislikeable. Yet the sheer exuberance and youthful self-assurance of this performance to a huge crowd in a park won me over.
2. Kate Nash - 'Foundations' (single heard on various radio/TV programmes, in clubs, etc).
Spine-chilling descendant of Strawberry Switchblade's "Since Yesterday", in the annals of melancholic girly-pop break-up songs. Also supplied a good old-fashioned chart-position drama of a kind rarely witnessed nowadays, lodging at number 2 for weeks rather than scoring an all-too-easy automatic number 1.
3. Gossip - 'Standing in the Way of Control' (BBC TV coverage of Glastonbury Festival, June).
This track would have been shortlisted anyway, for its innate quality and because it has soundtracked various dancefloor moments, but this particular performance makes the final seven thanks to atmospheric camerawork capturing the dingy Glastonbury marquee as well as for Beth Ditto's hearty crowd-surfing performance.
4. Russian Disco - 'Music for Annihilation' (club night, Cooler, March).
As far as I am aware, this was a one-off night, though it could easily have become a regular fixture and grown to fill bigger venues. Unclear to what extent its Soviet kitsch-pop playlist (including multiple plays of the same Tatu track) was taking the mickey, but Bristol's good-looking Russian and Russian-curious community enjoyed a sociable, pop-culturally educational night.
5. Qu Wack (e), Spike Island, Sep.
It would be possible to pick seven moments from this event alone, but I'm nominating it as a whole - not just because of the musical quality and diversity, but also its virtually faultless execution of a slick format. The looming clock with captions was a vital masterstroke in both creating a sense of dramatic urgency (arbitrary though the time limit may be) and clearly informing the audience of each act's name, while also serving as a constant reminder of the ephemerality of performance and of life itself. The interplay between each collaborating/competing act was quasi-sexual in its tense co-dependency, as musicians, often with visible anxiety, faced each other off across the purpose-built auditorium. The event was also noteworthy for inaugurating Spike Island as a full-scale cerebral music venue.
6. Bronnt Industries Kapital and other acts at the Saturday night of Venn (Clockwork, Jun).
Not necessarily the 'best' part of the festival, nor even necessarily BIK's top performance of the year. But the night overall gave, with the festival context, a palpable frisson of regenerating a highly promising large venue (see also: Crystal Castles et al, playing a Vice magazine night at the same club in Nov). On previous form, though, it will probably change hands yet again in a year or so.
7. Joy Division/New Order
Responsible for several moments this year (and any year), but, as mail-order book clubs would say, 'counts as one choice' as they are all related and are part of the year's Factory quadruple whammy of Tony Wilson's death, New Order's split, Joy Division biopic 'Control' being released, and an elegiac Hacienda (atrocity) exhibition being held at Urbis, Manchester.
Again perhaps rather cornily literal, but I was moved by the moment in 'Control' where Ian and Deborah Curtis talk about splitting up and the soundtrack duly bursts into 'Love Will Tear Us Apart'.
A more subtle use of the same track can be seen on a looped video at the Urbis exhibition, in which a New Order supergroup/jam session, following a casual lengthy version of 'Confusion', nonchalantly strikes up a powerful 'LWTUA'. Maybe all the more potent and under-stated because of the crowd of gurning ravers seemingly more interested in dancing on stage than savouring the sentiment. Also poignant because of the nearby Hacienda fittings and Wilson remembrance display.
My enjoyment of watching Control's musical sequences was marred by fellow viewers tapping rhythm against my seat (as Gossip would say, they were sitting in the way of Control), but nevertheless Sam Riley IS Ian Curtis in a powerful musical homage. A tiny clip, on BBC Radio 4's "The Film Programme" of the real Joy Division, juxtaposed with an extract of Riley's impersonation, also provided a moving moment.
At the Cube's Tony Wilson memorial night, a fuzzy early-'80s Factory live compilation video also yielded a profound experience. Maybe it was the poignant context of Wilson's recent demise, or the intimacy of a surprisingly thinly-attended evening, or the nostalgic pathos of watching performers when they were 20+ years younger, or maybe I was worn down by its sheer mesmeric duration, but New Order's 'Your Silent Face' seemed to start as a run-of-the-mill performance yet to gradually subtly mutate into an almost religious transaction, with its under-stated beauty.
I was also stopped in my tracks in the warehouse at work by the league-of-its-own power of a Joy Division song blaring out from a CD-player typically restricted to a bland diet of pap, rock and over-played hits.
***
SADIE CAMPBELL
1. Slamming Balacz's cimbalom-playing fingers in the sliding door of the tour van outside the arches in glasgow. holy CRAP. redeemed by their triumphant show 6 hours later, complete with bucket of ice.
2. Getting stuck in the Arnolfini lift at Venn with all the backstage booze and a claustrophobe.
3. Battles at the cooler. Battles at Green Nan. Battles at trinity. three completely different shows of identical songs.
4. PJ Harvey asking to borrow a compact to get a fly out of her contact lens at colston hall. oh. and the music.
5. That bloke at blackout at Shambala in the mini skirt shouting obscene poetry rearranging his fake boobs.
6. Dave 'the boat’ Taylor at the scout hut singing 'where is my tent' as the wind lashed the boards.
7. Human League at Benicassim. i know, but they were skill. they showed those electroclash arrivistes what it was all about, you hear what i'm saying.
***
CHIZ WILLIAMS 1. Artic Circle just about made me cry and feel alive live in their morning puffy state at The Green Man. The music shone through them as all else turned to mud. Animal Collective’s Jam, Phil Franklin’s voice, Nancy Elizabeth’s tone and Panda Bear’s soup also made me feel nearly this happy.
2. A long night drive with ‘Greasy Rock N Roll’ DJs on the radio…electrifying the mojo. It feels right time for a new Elvis to emerge. Coupled with a new taste for coffee. This music felt right. Radio also gave me hair raising moments via dubstep/jungle mixes, Somalian hour on BCFM, WMFU mad mixes and Alan Green.
3. Getting delivery of MV/EE with The Golden Road’s ‘Getting Gone’ promo, all woody and beautifully packaged and then turning it UP loud as we in the UK experienced a late summer sun rush.
4. Wildman Kush’s holler/cry within AHAAH’s Venn performance. Seeing musicians engage fully with the audience, and visa-versa, a lot this year has made live performances a real treaty.
5. Infinite Livez's plaintive song/cry over Matt Elliot’s Spanish guitar. Weird mixes don’t get better than this..
6. Taking a breather at Konono No1, knowing there was another hour to go. The groove, for me, has been brought back into play this year - no matter how messed up. Performances from DJ/Rupture Vs Andy Moor (it was a real privilege to see his guitar improvise) Artamonova, Chris Corsano and Mick Flower, Bass Clef, Zun Zun Egui, Octopussy, Directing Hand, Om, Tom Bugs, Aphex Twin, Monkey Steak all gave over to the roll more than the rock. 2008 is bound to be ‘horn-time’.
7. Hearing and seeing Crescent play new songs at The Cube Microplex was home from home
***
DAVID HOPKINSON 1. Bellatrix/Beardyman/Shlomo, Purcell Rooms - also Belle in Venn
2. Man From Uranus Cube Birthday fancy dress Mashpit
3. Vialka at the Cube nanoplerplexed kid's moshpit ( and Ice T/Mr T cover )
4. Cream tease Vexkiddy in Big Chill Bristol Meth Madness ( with the roll & roll jimmy riddle )
5. ZunZunEgui, "you're all fucking hippies" Blackout at Shambala ( Black Bat-out-man-tion also )
6. Bela Emerson v Alexander Thomas QuWackdown
7. Men Diamler, with support from Billy Chilidish
***
NANCY ELIZABETH1. Watching New Hawks at Fuel Café, Manchester.
Headed by Dan Haywood, the New Hawks are a treat. I watched them nearly breaking the floor boards in a tiny Manchester cafe on a mild weathered friday night in October. Most of the audience watched in confusion, not sure of what they were listening to – New Hawks are the front lines of creative music, I was dumbfounded and hysterical after this show, and had to go home and check my brain was still working.
2. BBQ in Chorlton
Some friends put on a BBQ where I fiddled about with a delay peddle with my friend Danny Norbury. We played Arvo Part, on the dulcetone and cello. I played an acid version of my song coriander, acid due to the delay peddle running out of my control and making everything sound far out. It rained immensely, but I had a green PVC mac, and a golfing umbrella, which I flaunted around to show the other BBQ goers how well organized and dry I was.
3. End of The Road Festival
I drove down to the festival on the Sunday after having to attend my friend’s wedding in Wigan on the Saturday. The weather wasn’t particularly sunny, and once I’d completed the 5 hour drive, I looked in my bag and realized I had brought one tent pole, but no tent. I decided the best course of action was to have a pint of warm scrumpy. I greeted the stage for my gig tipsy, was confused by my out of tune guitar, but sobered up in a flash when I sang the first note 4.72 tones too low, and realized I was about to make a completely idiot out of myself. Sleeping in my car was similar to how I imagine being in the womb was like. I felt completely content.
4. Sea Sick Steve at the Green Man
One of those musical experiences which make you want to curl up laughing. Everything seemed funny, and groovy. Sea Sick steve played raw, uncomplicated no mess blues music. It was late on the Sunday night and I was tired and sick of the rain. Steve made it awwl good.
5. Re-visiting Clwt Bedw. The day before my album got released (30th September) I visited the cottage where I recorded my album. It was weird to see it at a different time of year to how I imagined it. I walked around the back, to where I took the photo which is printed inside my album cover, and reminisced on the many hours I spent looking out the window at the cows while singing into a microphone.
I became pensive, and thought of the RAF planes which interrupted various takes by flying very close overhead and making every microphone distort like the devil had gotten inside of them. I love that cottage.
I peered through the window at the kitchen table which had been home to the mixing desk during the recording, I reckoned there was no one in there, so I stood there a while gazing in. Then someone appeared out of nowhere and must have assumed I was either a mad person or a burglar, or both. I ran away in panic, which must have made me look guilty.
6. Cross Street Chapel
This was my first gig with The Cunliffes. Played with 5 other people, playing arrangements with mandolin, extra guitar, bass pedals, drums, cello, vocal harmonies and various other bits and bobs. I had a really great time playing with the others, felt a great sense of unity between us and the band kicked ass.
7. My Yellow Scarf Creation
I spend hours in a little blue van thing, in the driving seat (although it was a left hand drive so I wasn’t driving) on tour with Thee Stranded horse in November. I used the time to knit a scarf – mainly mustard yellow in colour, with brown stripes. I gave it some tassles on the end, and finished it off with a button (in the shape of a cat) sewn on to the end. It was amusing to see people turning their road rage on who they assumed was driving the van, to see a girl wearing ear muffs, knitting and not paying one ounce of attention to the road.
***
GILES BAILEY1. Monty Casino at the Love Apple in Bradford 8th December
2. Sarah Kenchington at Transmission Gallery in Glasgow as part of Lawrence Abu Hamdan and Wil Saunder's exhibition in December
3. Alistair Crosbie at Café Rio, Glasgow in Summer sometime
4. Man Aubergine on a squatted boat on the Thames in Greenwich somewhere, during autumn
5. Daniel Higgs at the Captain's Rest in Glasgow
6. Marla Hansen at Nice n Sleazy, Glasgow on 27 November
7. Gay Against You at the opening of All Black is Not Bright White in the street outside gallery 54 in Gothenberg, Sweden in August.
***
LEE ETHERINGTON 1. Flower-Corsano Duo live at the Star&Shadow, Newcastle
Is there a better, more intense, more exhilirating live act around right now? They slayed us last year, then came back and were 10 times better (how?). And for utter contrast, we had the mega-minimal drums and bass of Patrick Farmer & Dominic Lash. The only reason for putting gigs on is that hopefully you'll get the odd one like this.
2. Free Noise tour
NO-FI'S first tour, bit of a gamble artistically you might say, but luckily an amazing bunch of people low on ego and high on experiment. i'd happily work with everybody involved as much as they'd have me. a Free Noise album is planned for 2008 too.
3. Benga live at NoName, The Tyne, Newcastle
Beats 'n' bass don't get much better.
4. A Hawk & A Hacksaw with The Hun Hangar Ensemble
As if Jeremy and Heather weren't barnstorming enough already, with added Hungarians they completely kicked arse!
5. Kemialliset Ystavat and Tight Meat live in London
Finally get to see the incredible KY live; is Jan a genius? And TM did 2 tracks with Vinnie Blackwall's unbelievable voice that were just gobsmacking acoustic noise.
6. Joanna Newsom live
On her own or with an orchestra, she's just amazing; she surely possesses otherwordly powers: she writes the most incredible, meandering, personal, funny, touching, dreamy adventures and totally spellbinds an audience. 2 albums and barely into her 20s, words can't do her justice....
7. Alejandro Jodorowsky - Holy Mountain original score. Shit, why has it taken me so long to get round to appreciating this genius?