Underscored by radical and queer politics, Crampton’s experimental work gives sonorous form to contemporary expressions of Aymara resistance and survival: a project of 'becoming-with', in the shades given this term by Donna Haraway via prison abolitionist Che Gossett.
Elysia Crampton’s eclectic and unrestrained electronic music is the flashpoint of a myriad influences opening upon the complexity and multifacetedness of Aymara becoming.
New album 'OCORARA 2010', released on the PAN label in May 2020, follows intergenerational trauma, fugitives of Christian violence in a twilight called Puruma, returning to Mama Cocha, the sea that theorists call Nowhere.
'Full of slippage and lacunae, whipping itself from moment to moment and then fading, ORCORARA 2010 is so absorbing as to make the world outside it seem bizarre, and in this it has political power' — Pitchfork
'Although it’s possible to contextualise Crampton’s work among that of her contemporaries, hers is a truly singular style…she’s able to synthesize numerous musical forms, crashing timbres, dense percussion, mauled samples, pretty synth lines, club music structures dismantled from within, and much more, into bold music rich with purpose and feeling' — The Wire