His compositions are multilayered narratives populated by an ensemble of sonic entities, some smug, some shy, some agitators, others ready to surrender. Often there’s a tragic-comical touch, like a cartoon version of what could be a requiem from a dream (or just as much a fertility dance from another dimension).
'Rashad Becker’s work is probably the closest thing we currently have to a disturbing glimpse through a rupture in the fabric of reality. Cherish it appropriately' — Brainwashed
Recent works include the cycle Traditional Music Of Notional Species released across two volumes on PAN, and a multi-part work called Based On A True Story that derives scores from historical occurrences in a sort of ‘sonic staging’. He has been commissioned by New York-based ensemble Alarm Will Sound, Berlin string ensemble Kaleidoskop and leading German theatre company Berliner Ensemble.
Rashad is mainly active as a solo artist but finds himself in a series of permanent collaborations alongside Eli Keszler, Moritz von Oswald and as a member of the formation Moleglove. Other and more sporadic collaborators have been Okkyung Lee, Andre Vida, Ashley Paul, and Valerio Tricoli.
'Becker’s deft manipulation of the oddball sounds he creates allows him to elevate what could have been hazy sketches into the realm of high art' — The Quietus